referencias e inspirações...

ONEIROI eram Daimones de asas negras dos sonhos. Eles surgiram a cada noite como um bando de morcegos da sua caverna em Érebo, a terra da escuridão eterna além do sol nascente. Eles passavam por uma das duas portas (pylai).
A primeira delas, feita de chifre, era a origem dos sonhos proféticos enviados pelos deuses, enquanto a outra, construído de marfim, era a fonte dos sonhos que eram falsos e sem sentido.

O termo para pesadelo era melas oneiros (sonho negro).
The Templar’s Secrets: Door at the round entrance of Temple Church in London built in the 12th century by the Knight Templar.

The Templar’s Secrets: Door at the round entrance of Temple Church in London built in the 12th century by the Knight Templar.

(via domain-of-decay)

Egypte. Vue du temple d’Horus à Edfu. Circa 1890 Lehnert & Landrock

Egypte. Vue du temple d’Horus à Edfu. Circa 1890

Lehnert & Landrock

(Source: firsttimeuser)

(Source: antiflashy, via fadinghalo)

La DanaideAuguste Rodin

La Danaide
Auguste Rodin

(Source: artemisdreaming)

Magic Circle:The Sorceress, oil on canvas, 1886, by John William Waterhouse, British born in Italy, 1849-1917. The circle protected the conjurer from malevolent spirits.

Magic Circle:The Sorceress, oil on canvas, 1886, by John William Waterhouse, British born in Italy, 1849-1917. The circle protected the conjurer from malevolent spirits.

(via shadesandshadows)

Downtown Chicago, during the blizzard. Tribune Tower. Looked a lot colder and more menacing with all the snow / ice blowing around.

Downtown Chicago, during the blizzard. Tribune Tower. Looked a lot colder and more menacing with all the snow / ice blowing around.

(via steros-deactivated20111101-deac)

Santa Sofia

Santa Sofia

(via steros-deactivated20111101-deac)

árvore submarina ou peixes voadores

árvore submarina ou peixes voadores

(Source: konacoco, via fadinghalo)

(Source: gurokawa, via bonesniffer)

(via steros-deactivated20111101-deac)

(Source: fadinghalo)

(Source: fadinghalo)

Zdzislaw Beksinski, 1981, oil on hardboard

Zdzislaw Beksinski, 1981, oil on hardboard

(via zdzislaw-beksinski-deactivated2)

‘Ibsamboul. Colosse Occidental du Speos de Phre’, by Maxime Du Camp, c. 1850. The photograph shows one of the colossi at the temple of Abu Simbel, Egypt. The monumental statues were still buried in sand when the photograph was taken. The photograph is taken from the album ‘Egypte, Nubie, Palestine et Syrie’, printed by Louis-Désiré Blanquart-Évrard and published in 1852.

‘Ibsamboul. Colosse Occidental du Speos de Phre’, by Maxime Du Camp, c. 1850. 

The photograph shows one of the colossi at the temple of Abu Simbel, Egypt. The monumental statues were still buried in sand when the photograph was taken. The photograph is taken from the album ‘Egypte, Nubie, Palestine et Syrie’, printed by Louis-Désiré Blanquart-Évrard and published in 1852.

(Source: firsttimeuser)

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